Foreward

Part I Historical Background of Gandhāran Art : The Kushan Dynasty
1 The Sai and the Da Yue-shi
2 Ai Khanum : A Graeco -Bactrain City in Northem Afghanistan
3 Some Remarks on the Kushan Coins Found in the Chinese Western Regions
4 The Rise and Expansion of the Kushan Dynasty : Tillya Tepe Treasure as a New Historical Source

Part II Iconographical Studies on Gandhāran Art
5 A Chronological and Iconographical Study on Gandhāran Art
6 Two Ladies Struggling for a child : An Interpretation of a Gandhāran Relief Newly Found
7 The Nursling of the Dead Woman : An Interpretation of a Gandhāran Relief Newly Found
8 A White Dog Barking at the Buddha : A Gandhāran Relief Newly Found
9 Two Kinds dof Ganhāran Relief s To Be Identified by the Chinese Buddhist Tripitaka : “The Monk and the Goose” and “The Boy Tied to the Tree”
10 A Humped Bull Licking the Feet of the Buddha : A Gandhāran Relief Newly Identified
11 Gandhāran Monks (Yogācāra)

PartIII Architectural Designs in Gandhāran Art
12 Takht –i-Bahi : A Buddhist Tempke of Ganhāran
13 The Structural Evolution of Buddhist Cave Temples frpm India to China
14 Horn –shaped Projections of Japnese Stone Pagoda, Hōkyōimtō
15 Architectural Desibns of Gandhāran Art : Brackets and Balustrades

Appendix
1 The Spread of Buddhist Art through Asia
2 Notes on the Excavations of Gandhāran Art